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Schubert & Schumann: Transcriptions for Clarinet &
Artist:
Anneleen Lenaerts
Format: CD
New: Not in Stock Online call for in-store availability
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Formats and Editions
1. Fantasiestücke Op. 73: I. Zart Und Mit Ausdruck (Arr. Lenaerts & Grammenos)
2. Fantasiestücke Op. 73: II. Lebhaft, Leicht (Arr. Lenaerts & Grammenos)
3. Fantasiestücke, Op. 73: III. Rasch Und Mit Feuer (Arr. Lenaerts & Grammenos)
4. Romanzen, Op. 94: I. Nicht Schnell (Arr. Lenaerts & Grammenos)
5. Romanzen, Op. 94: II. Einfach, Innig (Arr. Lenaerts & Grammenos)
6. Romanzen, Op. 94: III. Nicht Schnell (Arr. Lenaerts & Grammenos)
7. 12 Gedichte Aus Liebesfrühling, Op. 37: No. 2 Er Ist Gekommen (Arr. Lenaerts & Grammenos)
8. 12 Gedichte Aus Liebesfrühling, Op. 37: No. 4: Liebst Du Um Schönheit (Arr. Lenaerts & Grammenos)
9. 12 Gedichte Aus Liebesfrühling, Op. 37: No. 11: Warum Willst Du Andre Fragen (Arr. Lenaerts & Grammenos)
10. Cello Sonata In A Minor, D. 821, "Arpeggione": I. Allegro Moderato (Arr. Lenaerts & Grammenos)
11. Cello Sonata In A Minor, D. 821, "Arpeggione": II. Adagio (Arr. Lenaerts & Grammenos)
12. Cello Sonata In A Minor, D. 821, "Arpeggione": III. Allegretto (Arr. Lenaerts & Grammenos)
13. Schwanengesang, D. 957: No. 4 Ständchen (Arr. Lenaerts & Grammenos)
More Info:
Anneleen Lenaerts released a first album on Warner Classics in 2014, with concertos by Jongen, Glière and Rodrigo. For this second album, Anneleen and Dionysis selected some of the most beautiful Romantic chamber music pages, amongst them Schumanns Fantasiestücke Op. 73 and Romanzen Op. 94, and Schuberts Arpeggione Sonata D 821. Western art music has, in one way or another, always been recreative. It is about the spark between the musician(s) and the composer, be this through brilliant extemporisation on an early music Urtext, or a beautifully expressive performance of a Romantic work. Rarer instrumental combinations have always gravitated notably towards transcriptions. Sensitively-chosen transcriptions shed new light on their originals, because of the sounds, colours and identities they bring to the text. In the case of the harp and the clarinet, these colours are warmly unified, profoundly evocative of the works’ epoch, and of the emotional intensity of the music itself.
