Indie Exclusive Releases

Global icon and recent Rock & Roll Hall of Fame inductee, Dolly Parton, has joined forces with some of rock music’s most legendary artists along with today’s biggest stars for her first-ever rock album, Rockstar. The ever-evolving Parton teamed up with an all-star roster of musicians for the 30-song collection which includes 9 original tracks and 21 covers of iconic rock anthems.

The sophomore album from 11x Platinum-certified, 43x Gold-certified, and GRAMMY®-winning rock icon COREY TAYLOR .“I have no fear when it comes to music. None,” Corey Taylor declares. “It feels so good to really lean into the things that I've been chomping at the bit to do.” Those “things”? The 13 diverse, unforgettable songs on CMF2, ranging from the punchy, timeless first single “Beyond” to “Someday I’ll Change Your Mind,” a soaring, sentimental stunner with an infectious chorus. The songs move seamlessly from the punk rawness and anthemic rallying cry of “We Are The Rest” to the acoustic lament “Breath Of Fresh Smoke” to “Post Traumatic Blues,” which has a wild sensibility that echoes the lyrical topic of PTSD.

Multi-platinum selling artist Thirty Seconds to Mars makes a triumphant return with their sixth studio album, It’s The End Of The World But It’s A Beautiful Day. The record heralds a new era for the band, one that not only explores the darker sides of the human experience but the hope as well, an arresting reminder that even in the face of seemingly impossible obstacles, there is still beauty to be found in the world.

Golden State, the second full-length from singer/songwriter Logan Ledger, marks a stylistic departure from the timeless country noir of Ledger’s critically lauded debut. This time around, Ledger worked with producer Shooter Jennings, dreaming up a lush and spirited sound partly inspired by the California country-rock scene of the late-’60s and early-’70s. The result is a sublime setting for Ledger’s layered meditations on loss and despair and the search for transcendence.

Black Classical Music, the first official solo release of the acclaimed UK drummer, Yussef Dayes. Across 19 tracks, it melds the spirit of everything from 70s funk, reggae and Senegalese percussion while simultaneously nodding to furious dancefloor pacings of the soundsystem continuum. At every turn, Yussef’s distinctive drum licks and Rocco Palladino’s bass are the sturdy anchors; aided by Charlie Stacey/Elijah Fox (keys/synths), Venna (saxophone) and a whole host of honorable features including: Chronixx, Jamilah Barry, Tom Misch, Shabaka Hutchings, Miles James, Sheila Maurice Grey, Nathaniel Cross, Theon Cross and the Chineke! Orchestra, the first professional orchestra in Europe to be made up of majority Black and ethnically diverse musicians.

Yussef Dayes’ rise can be first linked to the short lived duo Yussef Kamaal, with keyboardist Kamaal Williams who released one album Black Focus, in 2016.  2019/2020 birthed two EPs and one album within close proximity: Blackfriars, and Duality, and sandwiched in between, What Kinda Music, a collaboration with Tom Misch. Since then, his list of collaborators has blossomed to include an official remix of Pa Salieu’s “Frontline”, drums on “Motor City Madness (People Mover Remix)” for Waajeed, and on Wizkid’s “Made In Lagos” album, plus production for Kali Uchis (“Blue”) and Kehlani (“Hate The Club”) and 2022’s joint release with Soulection entitled Live At Joshua Tree.

You’re The One is singer/songwriter/multi-instrumentalist, Rhiannon Giddens’ 5^th album and first full band release in over 6 years.  The album, which is her first album of all original songs (all written or co-written by Giddens), was produced by Jack Splash (St. Paul and the Broken Bones, Valerie June, Solange) and features guest appearances from Jason Isbell, Leyla McCalla, and Eryn Allen Kane.

Over the course of her career, Rhiannon Giddens has established herself as one of the most important artists in the world.  Her mission has been to lift up people whose contributions to American musical history have previously been erased, and to work toward a more accurate understanding of the country’s musical origins.  That work has led to massive press recognition and multiple GRAMMY wins; a McArthur “Genius” grant, hosting various podcasts and tv shows, amongst countless other initiatives

As Australian metal juggernauts Parkway Drive gear up for a world tour to commemorate their 20th anniversary as a band, Epitaph Records announces the release of the band’s debut EP from 2004, for the first time on vinyl. This expanded version of Don’t Close Your Eyes includes the original 8 tracks from the band’s first EP , with the addition of bonus tracks included from both their split album with I Killed the Prom Queen and from the compilation albums What We’ve Built and True Till Death, Volume I.

Hailing from the beachfront town of Byron Bay, Australia, Parkway Drive blasted out of their serene surroundings touting a volatile blend of intricate metal riffing, punishing breakdowns, and hardcore’s emotional tension. The band caught fire regionally with the chart-topping Horizons (2007) and Deep Blue (2010), then broke into the international market in 2012 with the arrival of Atlas. 2015’s Ire saw the group introduce clean singing into their oeuvre, and they continued to move toward a more melodic, though no less aggressive metal style on 2018’s Reverence and 2022’s Darker Still.

Parkway Drive continue to be a force of nature, 20 years in and still one of the top headliners in the Hard Music scene. Don’t Close Your Eyes revisits the band’s beginnings and their completest fans will be excited to finally have this album available on Vinyl.

‘VOLCANO’ follows Jungle’s previous album ‘Loving In Stereo’, which proved to be a landmark moment for the acclaimed UK duo. It achieved their highest domestic UK chart position to date debuting at #3, while also achieving their best ever album chart positions in key international territories such as Australia, Germany, Switzerland, Belgium, Netherlands; and in the US it catapulted to #1 on the Billboard Dance Albums chart which led to major Arena shows as guests to Billie Eilish. The free-spirited energy that runs right through ‘VOLCANO’ reflects how organically it came together. J and T had written most of the record on tour before starting the recording process while staying in an Airbnb in Los Angeles. It was later completed back home in London at their favourite location, Studio B at Metropolis Studios. This time around, the duo wanted to include a wider variety of voices within the album. In addition to Erick The Architect, they reunited with Bas (who previously featured on the ‘Loving In Stereo’ single ‘Romeo’) for ‘Pretty Little Thing’, as well as calling on talents in the shape of Roots Manuva, Channel Tres and JNR Williams.

Over the past eight years Teenage Wrist have continually evolved their sound, a process that’s peaking with their third full-length, STILL LOVE. Reaching new heights in both scope and execution, the album sees the duo—Marshall Gallagher (vocalist, guitarist, bassist) and Anthony Salazar (drums, vocalist, percussion)—producing the album themselves to handcraft their most expansive collection of songs to date from the ground up. The result is a self-realized collection of songs that saw the band borrowing vintage gear, bringing in friends in the form of members from 311 vocalist/turntablist Doug “SA” Martinez and Softcult and incorporating tasteful pop sensibilities to craft a collection of songs that redefines the band’s sound while staying true to their guitar-driven roots.

From the atmospheric, fuzzed out opener “Sunshine” (which Gallagher says is “the coolest riff he’s ever written”) to the midtempo rocker “Dark Sky’’ (the latter of which features the aforementioned cameo from 311 vocalist/turntablist Doug “SA” Martinez), the album will undoubtedly please fans who favor distorted guitars and crunchy chords. However, that’s only one aspect of the album and Teenage Wrist aren’t ashamed to admit that there’s a strong pop sensibility on the album that shows how much they’ve grown as songwriters since 2021’s Earth is a Black Hole. From the brain-invading ballad “Something Good” to the downbeat electronic vibe of “Diorama,” the album is teeming with unexpected moments that are reminiscent of Radiohead’s flair for experimentation.

The powerful bond between these two collaborators lies at the core of Teenage Wrist’s music and, more than any other factor, that’s evident on every moment of STILL LOVE. “There was a certain feeling that music gave me as a kid and this is honestly the first time on any record I feel like we kind of came close to achieving that,” Gallagher says of the end result. “We just shot from the gut on this record and tried not to overanalyze things... and I think the record speaks for itself.”

Since announcing their arrival with debut album in 1991, Blur went on to revolutionise the sound of English popular music with six successive UK #1 albums and a string of Top 10 singles, including two No 1s, helping to propel the band to mass popularity at home and abroad. One of the biggest British bands of the last three decades, Blur have released eight studio albums and collected ten NME Awards, six Q Awards, five BRIT Awards and an Ivor Novello Award, and played live to millions of devoted fans across the globe.

Whilst they are an iconic band, the new music truly feels like they have re-invented their sound for 2023 and we should really amplify the commercial viability and youthful leaning sound to reach new audiences.

The album is truly incredible body of work which is beautifully layered, with real stand-out singles which is understandably described by the band as one of their best creations.

Lukas Nelson & Promise of the Real are back with Sticks and Stones, releasing 7/14 via 6ACE Records / Thirty Tigers. This self-produced, honest and emotional new album highlights Nelson's strength as a songwriter and the band's uncompromising commitment to clarity, compassionate tones, and exceptional melodic moments. Lyrically, Sticks and Stones spans the themes of Drinking, Heartbreak, Love, Lying, Hope, Nature, Self-Reflection, Work-Life Balance, Settling Down, Home, Time, Longing and more.

A brand-new ‘Coronation Anthem’ has been composed for the occasion by Lord Lloyd Webber, entitled ‘Make A Joyful Noise.’ A studio recording of this work will be released on May 6, 2023 featuring The Royal Philharmonic Orchestra, The Choir of Westminster Abbey, The Fanfare Trumpeters of the Royal Air Force and the Abbey sub-organist Peter Holder, conducted by organist and Master of the Choristers at Westminster Abbey, Andrew Nethsingha.

"I Want It All Right Now" was produced by Grammy-winning producer John Congleton. They will be embarking on a North American stadium/arena tour with pop superstar P!nk. Los Angeles' Grouplove blend a quirky, '90s-style indie rock sensibility with a spirited, arena-ready roar. It's a sound they debuted on 2011's Never Trust a Happy Song, which spawned the number one Billboard Alternative Songs Chart hit "Tongue Tied." They have continued to straddle mainstream and indie success, playing festivals around the globe and remaining Top 20 Billboard Alternative chart regulars with albums like 2013's Spreading Rumours and 2020's Healer. In March 2021, Grouplove returned with their surprise fifth album, This Is This.

- 20th Anniversary of the release of AFI's Platinum-certified 6th album.

- Only 20,000 copies were pressed on vinyl originally and demand for the title is extremely high and going for a lot of money online.

- One-Time-Pressing for this ThinkIndie Exclusive Edition.

Indie LP - White vinyl. This title is also printed on Greenyl, 100% recyclable, PVC-free record.

Superlove are a young and exciting new noise-pop band from Bristol. Their infectious pop hooks, strong harmonies and off-kilter songwriting have earned them incredible reviews and a fast and loyal fanbase since they first formed in 2018. Superlove have been selling out shows across their hometown and have toured up and down the UK supporting the likes of Dream State, Stand Atlantic, Roam, Vukovi and played many festivals including The Great Escape, Handmade, Burn It Down & Neverworld on the strength of just their first few singles. After releasing two EPs and one LP on Rude Records, 'Superlove', '...but for the moment' and "Colours", Superlove are ready to surprise their public once again with their distinctive yet always evolving sound. 

Critically acclaimed artist The Japanese House has announced details of her long-awaited sophomore album, In the End It Always Does. Featuring recent single “Boyhood,” much of the album lives in the contradictory: beginnings and endings, obsession and mundanity, falling in love and falling apart. Four years after her widely celebrated debut, Good at Falling, this album sees Amber Bain lean even further into the pop realm whilst elevating her signature sound. 

Multiplatinum recording artist Coi Leray announced her highly anticipated sophomore album COI releasing on June 23, 2023 via Uptown Records/Republic Records. The self-titled album consists of 15 eclectic tracks showcasing not only Coi’s famous flow, but also her vocals, while touching a multitude of music genres – ranging from rap, rock, pop, reggae and dance. It features the Billboard Top 10 single “Players” along with recent songs “My Body” and “Bops.” Deluxe Edition features a bonus track.

“Several times, as I listened to M. Ward’s Supernatural Thing, I asked myself what year it was. Was it 1952, and was I listening to a track from the Harry Smith Anthology? Was it 1972, and was I eavesdropping on the recording session for After the Gold Rush? No, it’s 2023, and M. Ward is one of the special contemporary artists who invite such questions. Ward has clearly mastered the whole vocabulary of American popular music and made serious decisions about how to employ it for his own ends. What Ward shares with Harry Smith’s artists and Neil Young is a context of musical and human values: authenticity and intimacy. Supernatural Thing’s original songs sound freshly pulled from the ground, with a little earth sticking to them. Ward’s lyric delivery has that slight rawness the ear loves, and his voice has quiet dignity and great tenderness. Supernatural Thing is an open-hearted, inviting album. 

The album’s guest stars — First Aid Kit, Shovels & Rope, Scott McMicken, Neko Case, Jim James, others — enliven the album with surprises. On “Too Young to Die,” the women’s voices in First Aid Kit spread a light frosting over the melody, and their Beach Boys-like chorus on “Engine 5” makes the song sound like an instant hit. Eight of the album’s ten songs are Ward originals. There’s an unusual Bowie choice, “I Can’t Give Everything Away” from Blackstar, and a live rendition of Daniel Johnston’s ‘Story of an Artist.’” -By James Cushing

Both as a solo artist and as one-half of She & Him, M. Ward became one of the defining voices of the American indie landscape in the 2000s, earning fans and critical acclaim for his distinctive brand of breezy West Coast Americana which pulled from folk, country, blues, pop, and experimental indie rock elements. Ward established himself with warm, analog-minded releases like 2003’s Transfiguration of Vincent and 2006’s Post-War before joining forces with singer/actress Zooey Deschanel to form the highly successful indie pop duo She & Him in 2008. Over the following decade, Ward split his time between projects, releasing a 2009 album with indie supergroup Monsters of Folk, several high-profile albums with Deschanel including She & Him’s Columbia-issued 2014 set Classics, and critically acclaimed solo releases like 2009’s Hold Time, 2012’s A Wasteland Companion, and 2018’s What a Wonderful Industry. Ward kicked off the next decade with a deeply atmospheric set called Migration Stories and a Billie Holiday covers album Think of Spring most recently.

The follow up to the band’s Grammy nominated 2021 LP, Heavy Load Blues. It’s remarkable synthesis of songs and musicality (all written by Haynes except for two, full-band penned tracks) that toggles between thundering heavy rock, electric blues, soul, funk, spoken word, English chamber-folk, and psychedelia; enhanced by a fascinating assortment of contributing artists including, Billy F Gibbons, Ivan Neville, Ruthie Foster, Billy Bob Thornton, and Celisse.

If 2021’s “Sometimes I Might Be Introvert” catapulted Simz into the big leagues, crashing into the top 5 of the albums charts, collecting Mercury Music Prize, Mobo, Ivor Novello and Brit Award wins and earning her the biggest live audiences yet in the UK and Europe yet, “NO THANK YOU” is yet another delicious left field turn for 29-year old Simbiatu Ajikawo. Sleek, succinct and utterly propulsive, it’s Simz’ defiantly punk rock, two fingered salute to conformity and fame, and all the expectations and restrictions that come with. Recorded with her regular collaborator Inflo, this is Simz at her most free, daring and spontaneous. In her own words: 

'emotion is energy in motion.
honour your truth and feelings.
eradicate fear.
boundaries are important.’

Deer Tick’s first new body of work since 2017, Emotional Contracts is their most collaborative to date, and sees all four members operating at peak songwriter power. Produced by Dave Fridmann, the 10-song set features guest musicians like Steve Berlin (Los Lobos) and background vocals from Courtney Marie Andrews, Vanessa Carlton, Kam Franklin, Angela Miller, and Sheree Smith. Deer Tick’s ATO Records debut adds an even greater vitality to their feverish collection of timeless rock-and-roll.