Siren Records McHenry
3902 Main Street
McHenry, Illinois 60050
815-347-8363
HOURS
Mon 11-4
CLOSED TUESDAY AND ON MAJOR HOLIDAYS
Weds Thurs Fri Sat 11-6
Sunday 11AM-4PM
9. Deserts: First Electronic Interpolation (Beginning)
10. Deserts: First Electronic Interpolation (Conclusion)
11. Deserts: Second Electronic Interpolation (Beginning)
12. Deserts: Second Electronic Interpolation (Conclusion)
13. Deserts: Third Electronic Interpolation (Beginning)
14. Deserts: Third Electronic Interpolation (Conclusion)
Details:
Castets*maryse (sop)
Lyndon-gee/polish natl rso
More Info:
The thematic material of Arcana (1925-27) for orchestra - the score of which is prefaced by a quotation from the sixteenth-century Swiss physician and alchemist Paracelsus - is derived from the varied repetition of a handful of motifs including a rising tritone/rising tone figure also used in Intégrales. The première was given at the Academy of Music in Philadelphia on 8th April 1927 conducted by Leopold Stokowski. The title of Octandre (1923) refers to it's scoring for an octet of flute, clarinet, oboe, bassoon, horn, trumpet, trombone and double bass ('octandrous' refers to a flower having eight stamens). The only work of Varèse to follow a traditional division of movements, namely Assez lent, Très vif et nerveux, Animé et jubilatoire, it grows out of the material stated by the oboe in the opening bars, with Varèse treating the octet essentially as a timbral pool from which he extracts textures of a quite startling originality.